rotary drum collator - ορισμός. Τι είναι το rotary drum collator
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Τι (ποιος) είναι rotary drum collator - ορισμός

Hinman Collator
  • A Hinman collator owned by the [[Folger Shakespeare Library]]

Pistonless rotary engine         
INTERNAL COMBUSTION ENGINE
Rotary combustion engine; Rotary piston; Rotor (engine)
A pistonless rotary engine is an internal combustion engine that does not use pistons in the way a reciprocating engine does. Designs vary widely but typically involve one or more [sometimes called rotary pistons.
Sámi drum         
  • goddesses]] ''Sáráhkká'', ''Juoksáhkká'' and ''Uksáhkká'' (3-5).
  • Frame drum (''freavnantjahke gievrie'') with cords
  • hand falder i En Dvalle lige som død og bliver svart og blaa i ansigtet, og mens hand saa liger som død, da kand hand forrette saadant, og mange som er nær død, og siunis som død for menniskens øyen, de kand blive straxt frisk igjen paa samme timme, og naar hand liger i saadan besvimmelse eller Dvalle, da kand han fare vide om kring og forretter meget og kand fortælle mangfoldigt og undelige ting, naar hand opvogner, som hand haver seet og giort, og kand fare vide om landene og i mange steder og føre tidende derfra og føre vise tegen og mercke med sig der fra naar hand er beden der om, og da farer hand og saa i strid i mod sine modstandere og kampis som i En anden verden, indtil at den Ene har lagt livet igien, og er over vunden}}".<ref>[http://www.love.is/roald/iolsen.html Utdrag fra ''Relation om lappernes vildfarelser og overtro''] (1715) på Roald E. Kristiansens nettside ''Samisk Religion''.</ref>
  • Schefferus]]' ''Lapponia'' (1673) is an early source for Sámi culture and religion
  • [[Mari Boine]] with a modern drum. Drums are now used both as musical instruments and as symbols of Sámi identity.
  • A regional typology of drum patterns, with some variations used by [[K.B. Wiklund]] (1930), [[Ernst Manker]]<ref name="M38"/> and Kjellström & Rydving.<ref name="RKHR"/>
  • Lule Sámi bowl drum
  • Sami drum in the [[British Museum]], London
  • Small 18th Century Sami Drum in the [[Cambridge University Museum of Archaeology and Anthropology]]<ref>[https://collections.maa.cam.ac.uk/objects/457579 CMAA Collection]</ref>
  • This drum belonged to Morten Olofsson, a Sámi of Åsele, until it was confiscated on New Year's Day 1725 by Petrus Asp, bishop of Härnosand.<ref name="SAMERSE"/><ref name="ÅVK07">Kroik 2007</ref> On this day, 26 drums were confiscated. These drums were all of the same main type of Southern Sámi drum,<ref name="M38"/> known as the Åsele type. Twenty of these now belong to [[Nordiska museet]], and they form a large part of the total number of preserved drums.
  • game birds]]; thus representing a drum owner who was more of a hunter than a reindeer herder.
  • Lule Sámi]] areas. Mentioned by Schefferus in 1673; now at Nordiska museet.
SHAMANIC CEREMONIAL DRUM IN THE CULTURE OF THE SÁMI PEOPLE OF NORTHERN EUROPE
Magic drum; Rune drum; Goavddis; Sami drum; Kannus (drum)
A Sámi drum is a shamanic ceremonial drum used by the Sámi people of Northern Europe. Sámi ceremonial drums have two chiefly two variations, both oval-shaped: a bowl drum in which the drumhead is strapped over a burl, and a frame drum in which the drumhead stretches over a thin ring of bentwood.
Drum kit         
  • Snare drum on a modern light-duty snare drum stand
  • An Arno drum key
  • Anders Johansson]] with an array of octobans
  • [[Carl Palmer]] with rim-mounted tom mics
  • play}}
  • Triggers sensors in use, here they are red and mounted on the rims of the snare drum, bass drum and hanging toms. The larger box in the same colour red is the "brain" to which they are connected.
  • From left: traps case, floor tom case, snare case (front), twin hanging toms case, cymbal case, bass drum case (rear)
  • Tools of the trade: 7N, 5B, "double bummer", and side drum No. 3 sticks, standard 19 cane rutes, sheathed 7 cane rutes, nylon brushes, steel brushes, and cartwheels
  • [[Günter Sommer]] with [[bodhrán]] and [[bongo drums]] in his kit
  • Two hi-hat cymbals mounted in a pedal-operated stand, which allows the drummer to open or close the cymbals.
  • [[Mitch Mitchell]] playing a classic four-piece kit in the [[Jimi Hendrix Experience]]
  • [[Keith Moon]] of [[The Who]] with a mixture of [[concert tom]]s and conventional toms, 1975
  • A [[Korg]] trigger pad
  • China-type]]).
  • A basic five-piece kit, with one crash cymbal and no effects cymbals, complete with throne and sticks
  • [[Mike Portnoy]], the ex drummer of [[Dream Theater]] with many cymbals. Rio de Janeiro, 7 March 2008
  • Mylar muffle ring on snare
  • Sabian]] O-zone "vented" crash cymbal
  • [[Slim Jim Phantom]] playing a two-piece kit while standing
  • [[Pat Mastelotto]] playing a kit with both acoustic and electronic drums, 2005
  • A very large kit played by [[Terry Bozzio]]
  • A two-piece kit in action
  • A pair of drumsticks held in traditional grip.
  • Drum controllers, such as the [[Roland V-Drums]], are often built in the form of an acoustic drum kit. The unit's sound module is mounted to the left.
  • Yoshiki]]'s drum riser at [[Madison Square Garden]]
COLLECTION OF DRUMS AND OTHER PERCUSSION INSTRUMENTS
Drum set; Drumset; Drum Set; Trap set; Traps kit; Drum kits; Drumkit; Breakables; Drum Kit; Kit drumming; Drum size conventions; Kit drummer; 5 piece drum set; Jazz kit; Jonathan Pierce (musician); Accent cymbal; Drum shield; Drum booth; Trap kit; Trap drum; Drum sets; Trapkit
A drum kit – also called a drum set, trap set (an abbreviation of the word "contraption") or simply drums – is a collection of drums, cymbals, and other percussion instruments. Drum kits are set up on stands to be played by a single player, with drumsticks held in both hands; the feet operate pedals that control the hi-hat cymbal and the beater for the bass drum.

Βικιπαίδεια

Hinman collator

The Hinman collator, an early optical collator, was an opto-mechanical device for comparing pairs of documents for differences in the text. Documents that appeared similar were said to “collate”. The collator resulted in rapid advances in the study of literary works.

Invented by Charlton Hinman in the late 1940s, the device used lights and mirrors to superimpose images of the two documents so that differences in text alignment or wording stood out. This resulted in huge improvements in speed and efficiency compared to the traditional cross-referencing of texts by eye.

The idea built on earlier work such as Carl Pulfrich's blink comparator used to help identify the former planet Pluto, and Hinman's work analysing aerial photographs during World War II.

Hinman used his device to compare the many slightly different impressions of the First Folio of William Shakespeare's works. The printing and bookbinding processes used in the time of Shakespeare often resulted in variations in the pages bound into the final books, and the collator enabled Hinman to describe the exact order in which the Folios had been composited and printed. He used the collator to compare 55 different copies of the First Folio held by the Folger Shakespeare Library, and subsequently wrote about his findings in Printing and Proof-reading of the First Folio of Shakespeare in 1963.

In the wake of Hinman's success, the device was purchased by a number of universities, libraries and other institutions (allegedly including the CIA). As more compact types of collator were developed in the 1960s, the last Hinman was built in 1978. In his 2002 survey of mechanical collators, Steven Escar Smith estimates from scattered records that as many as 59 Hinman Collators were produced, 41 of these surviving at the time of his survey's publication.

A more portable collator was developed by Randall McLeod.